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| Water colour paper, tracing paper, stitch and clay. |
I have started to develop the clay pressing possess further by layering printed maps of Pateley Bridge and Nidderdale landscape (printed on tracing paper) onto the clay drawings. By using stitch with gold embroidery thread to pick out various roads, paths and waterways the introduction of these forms are now represented in a physical form. The prick marks appropriate symbols on the maps themselves of public rights of way. The juxtaposition of both the topographical clay markings and the tracing paper printed maps appear to sit well together.
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